O somm😝🤭😜a lu😚🙃😄ce

The*🤒 lin$😏=es start w🤤😴🥰]it😒😂h “O Somma 😚😘\Luce”😝🤫🙂 which is 🤩😒t😉😊😔h+\e t🤥;it🙂😆le of the f=i:😋lm and also?😶🤭 the 67t\
;h line of the 33r😬_d c😶😄anto in “Paradi?😀/s::o” of D:\😋^a🤐?n😍🤨te’😄s “🤤,🤒Di😐?$vine Co=m😙e,😘😜dy”🤥 to th😛e end of🤩[😁+ “Parad#iso”. The film is complet😐:ed w/it🤣h :]music😔(😜# and lines in😑[stead of 😑🥰/emo😑*🤩😪tions😅 and narrations.😪 T$*🤔his i😘`😪s a rec😔😶🤗🤤ent😃😃 att😜_emp😉t to combine ,film with😶😗, l😚ite🤮🤢😊😙ra🤒🤥😷ture.　　🤕The film b😶🤤e🤪😄gin[s wi😇😅th a black ^screen (🙃[🤐😗and- .the 🙄😐mus🤨#😬ic o😆🤤🤐f Edgard Varese. T`😜😍he🤕🤩🤩 BG😷🤮😏M is “Dese😌😏😷rts” that;!😋😄% was 😷\.😬recorded i😅🤥n 1954.😴😬😍🤕 After some mom😅😴_[ent)😏s of 🥰dark$🤩ne😔😑🤫😒ss, the #🤒 music ends and a middle-ag😄😌ed😂😜🙂 man sits on 😶🤥:a hill, reciting s😘😃😊🤮o😃😄\😆met\/hi*ng. He i`🤭😋s Giorgio Passerone, an Italian literature🤕[😚😁 profe🤪🤤/ss🤮😌🙃o😚😴😀r, and he 🤑+is re%.ading out😊😘% of😇😔🤢😐 the last pa🤨🤕rt of 🤔😘‘Pa🤫🤗[😒radiso’ 😗🤔*🤥of Dan😒😴😙🤑te’s Divi😔_🤩😗🤥ne Comed🤒🤭y. Jean-Ma/🤫ri🙂😛🤑e Str🤗😙aub expressed how he(😝🙃 thi-:)nk🤥🤨😀s of Dante thr😬🤢ough a subtle acc$?😚😅e😏🤒nt🤨/🤒 and🤨🤨 dialect. 😉😌Th🤔:e d#
irector w$.ho had encode*d(🤑🤫 many  🤔😇😄great a😶.😇😴rtis🤕_t$s a😇🤒nd musician😏?🥰s in😍😃
cluding .😘Bach, @😆🤥\compl+#ete the com🥰binati$😔(🤩🙂o😗😬;n of Dante and `😔;)Varese,. which could )!`🤗😆seem str🤤😚ange. ( 😷Lim Kyung🤑🤥 Yong)